In a recent episode of Joe Budden’s podcast, renowned psychologist and activist Dr. Umar Johnson stirred controversy by asserting that Eminem cannot be regarded as the greatest rapper of all time due to his white skin. Johnson, known for his outspoken views on race and culture, argued that the historical and cultural context of hip-hop should exclude white artists from the title of “greatest rapper.”

During the podcast, Johnson delved into the complexities of race in the music industry, asserting that the title of the greatest rapper should be reserved for those who have faced the unique struggles and challenges of the African American experience. He suggested that Eminem’s success, while undeniably impressive, does not align with the narrative of hip-hop as a cultural expression born out of African American communities.

This perspective has sparked intense discussions within the hip-hop community, with opinions divided on whether an artist’s racial background should be a determining factor in assessing their greatness. Eminem, known for his lyrical prowess and impact on the genre, has consistently been recognized as one of the most influential figures in hip-hop.

As the debate continues, fans, artists, and scholars are engaging in a broader conversation about the intersection of race, culture, and artistic merit in the realm of hip-hop. The controversy surrounding Dr. Umar Johnson’s remarks adds a new layer to the ongoing dialogue about representation and recognition within the genre.